Dead letters essays on the grateful dead phenomenon
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annotation format The Alignment Annotations File. Alignment annotations can be imported onto an alignment since version 2.08 of Jalview, via an annotations file. It is a simple ASCII text file consisting of tab delimited records similar to the Sequence Features File, and introduced primarily for letters essays on the grateful phenomenon, use with the Jalview applet. Importing annotation files. Alignment annotations files are imported into n phenylethanamide coursework Jalview in dead letters dead the following ways: from the command line Dragging an annotations file onto an alignment window Via the Load Features / Annotations entry in essay custom writing do the File menu of an letters essays on the, alignment window. Exporting annotation files. An annotation file can be created for any alignment view from the Export Annotations . entry in the File menu of an alignment window. THE ANNOTATION FILE FORMAT. An annotation file consists of lines containing an instruction followed by law essay, tab delimited fields. Any lines starting with # are considered comments, and ignored. Dead Grateful Dead? The sections below describe the structure of an annotation file.
JALVIEW_ANNOTATION mandatory header LINE_GRAPH, BAR_GRAPH and NO_GRAPH to create annotation rows COMBINE, COLOUR and GRAPHLINE for thresholds and complex line graphs ROWPROPERTIES control the display of individual annotation rows SEQUENCE_GROUP to define groups of emphatic essay sequences for further annotation PROPERTIES to set visualisation properties for sequence groups SEQUENCE_REF and GROUP_REF for specifying target sequences and groups for annotation, reference sequence and column visibilty commands. VIEW_SETREF, VIEW_HIDECOLS and HIDE_INSERTIONS for assigning the reference sequence on the alignment and hiding columns. At the end of this document, you can also find notes on compatibility of annotation files across different versions of Jalview. An example annotation file is also provided along with instructions on how to import it to Jalview. The first non-commented out line of a valid Annotations file must begin with : Labels, secondary structure, histograms and dead essays grateful dead phenomenon, line graphs are added with a line like. Here, the GRAPH_TYPE field in the first column defines the appearance of the annotation row when rendered by Jalview. The next field is the row label for the annotation.
This may be followed by a description for emphatic essay, the row, which is shown in a tooltip when the user mouses over the annotation row's label. Since Jalview 2.7, the description field may also contain HTML tags (in the same way as a sequence feature's label), providing the text is enclosed in an html/ tag. Please note: URL links embedded in HTML descriptions are not yet supported. The final Values field contains a series of on the grateful dead phenomenon | separated value fields. Emphatic Essay? Each value field is essays on the grateful dead phenomenon, itself a comma separated list of fields of a particular type defined by the annotation row's GRAPH_TYPE . The allowed values of GRAPH_TYPE and corresponding interpretation of each Value are shown below: BAR_GRAPH. Plots a histogram with labels below each bar. Draws a line between values on the annotation row. For a row consisting of text labels and/or secondary structure symbols. Emphatic Essay? For proteins, structure symbols are H (for helix) and dead essays on the grateful phenomenon, E (for strand) Color strings can be embedded in a value field by enclosing an RGB triplet in square brackets to emphatic essay colour that position in an annotation row.
LINE_GRAPH type annotations can be given a colour (specified as 24 bit RGB triplet in hexadecimal or comma separated values), combined onto the same vertical axis, and dead on the grateful dead phenomenon, have ordinate lines (horizontal lines at a particular vertical axis value) using the following commands (respectively): The visual display properties for a set of annotation rows can be modified using the coursework, following tab-delimited line: This sets the dead letters essays, visual display properties according to the given values for admission essay custom, all the annotation rows with labels matching Row label . The properties mostly affect the display of multi-character column labels, and are as follows: centrelabs Centre each label on its column. Dead Letters Essays Grateful? showalllabs Show every column label rather than only the first of a run of emphatic essay identical labels (setting this to true can have a drastic effect on secondary structure rows). scaletofit Shrink each label's font size so that the label fits within the dead letters essays on the grateful phenomenon, column. Useful when annotating an alignment with a specific column numbering system. ( Not available in Jalview applet due to essay AWT 1.1 limitations ) Groups of sequences and column ranges can be defined using a tab delimited statement like: The sequences can be defined by alignment index and a range of sequences can be defined in a comma delimited field such as. Enter * to select all groups. Note: If the alignment indices are not known, enter -1, followed by a tab and then a tab delimited list of sequence IDs. If a SEQUENCE_REF has been defined, then group_start and group_end will be relative to the sequence residue numbering, otherwise the essays on the dead, group_start and group_end will be alignment column indices. This statement allows various visualisation properties to be assigned to a named group.
This takes a series of tab-delimited key = value pairs: The currently supported set of sequence group key-value pairs that can be provided here are : If idColour is essay about our earth, given but colour is not, then idColor will also be used for the group background colour. Note: if the group is letters on the grateful phenomenon, sequence associated (specified by admission custom, SEQUENCE_REF), then all members will be hidden and marked as represented by the reference sequence. Specifying colours in PROPERTIES key-value pairs. The colour property can take either a colour scheme name, or a single colour specification (either a colour name like 'red' or an dead letters essays on the dead, RGB triplet like 'ff0066'). If a single colour is coursework, specified, then the group will be coloured with that colour. By default, annotation is associated with the alignment as a whole. However, it is also possible to dead letters on the phenomenon have an annotation row associated with a specific sequence, or a sequence group. Clicking the annotation label for sequence or group associated annotation will highlight the associated rows in the alignment, and double clicking will select those rows, allowing further analysis.
While group associated annotation remains associated with a particular alignment, sequence associated annotation can move with a sequence - so copying a sequence to another alignment will also copy its associated annotation. You can associate an annotation with a sequence by preceding its definition with the essay our earth, line: All Annotations defined after a SEQUENCE_REF command will then be associated with that sequence, and letters grateful, the first field in the Value field list will (optionally) be placed at the startIndex 'th column. Sequence associations are turned off for subsequent annotation definitions by: Similarly, since Jalview 2.5, group associated annotation can be defined by preceding the row definitions with the our earth, line: Group association is essays on the grateful, turned off for emphatic essay, subsequent annotation rows by: Since Jalview 2.9, the dead letters essays on the dead, Annotations file has also supported the definition of reference sequences and hidden regions for an alignment view. Marks the essay our earth, first sequence in the alignment, or alternately, the one specified by the most recent SEQUENCE_REF statement, as the reference sequence for dead letters essays on the grateful dead phenomenon, the alignment. This command hides all gapped positions in the current target sequence.
Any columns already hidden will be re-displayed. Coursework? Modifies the visibility of columns in the view. Letters Essays Grateful Phenomenon? The statement is emphatic essay, followed by on the phenomenon, a single argument consisting of a comma separated series of single integers or integer pairs (like 3-4 ). These define columns (starting from the left-hand column 0) that should be marked as hidden in the alignment view. The interpretation of the COMBINE statement in about Version 2.8.1 was refined so that only annotation line graphs with the given names ands the same SEQUENCE_REF and GROUP_REF scope are grouped. An example Annotation file is given below.
Copy and paste the contents into dead letters dead a text file and load it onto emphatic essay the Jalview example protein alignment.
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Reading the Grateful Dead: A Critical Survey
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Please carefully complete all forms in this packet and return them to Ms. Meinholdt (room A215) or Ms. Cho (room A218) on on the grateful dead or before 2:30 p.m. on Wednesday, Oct 10, 2012. No exceptions! This packet will be reviewed by a faculty committee, which only papers on abstract algebra, meets one time each year.
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Dead Letters: Essays on the Grateful Dead Phenomenon, Volume II
Winston Churchill’s Essay on Alien Life Found. Thanks to Wajid and Sitara. Winston Churchill’s essay on alien life found. Mario Livio, Nature, 15 February 2017. A newly unearthed article by the great politician reveals that he reasoned like a scientist about the likelihood of essays on the grateful dead phenomenon extraterrestrials, writes Mario Livio. Winston Churchill is best known as a wartime leader, one of the most influential politicians of the essay custom writing, twentieth century, a clear-eyed historian and an eloquent orator. He was also passionate about grateful, science and technology. Aged 22, while stationed with the British Army in India in 1896, he read Darwin’s On the Origin of Species and a primer on physics. In the 1920s and 1930s, he wrote popular-science essays on topics such as evolution and cells in newspapers and magazines.
In a 1931 article in The Strand Magazine entitled ‘Fifty Years Hence’, (1) he described fusion power: “If the emphatic essay, hydrogen atoms in a pound of water could be prevailed upon to combine together and phenomenon form helium, they would suffice to drive a thousand-horsepower engine for a whole year.” His writing was likely to have been informed by conversations with his friend and later adviser, the admission custom do, physicist Frederick Lindemann. During the Second World War, Churchill supported the development of radar and Britain’s nuclear programme. He met regularly with scientists such as Bernard Lovell, the dead dead, father of radio astronomy. An exchange about the use of statistics to fight German U-boats captures his attitude. Emphatic Essay! Air Chief Marshal Arthur ‘Bomber’ Harris complained, “Are we fighting this war with weapons or slide rules?” Churchill replied, “Let’s try the slide rule.” (2) He was the first prime minister to letters on the phenomenon, employ a science adviser, hiring Lindemann in the early 1940s. The science-friendly environment that Churchill created in law essay the United Kingdom through government funding of laboratories, telescopes and technology development spawned post-war discoveries and inventions in fields from molecular genetics to X-ray crystallography. Despite all this, it was a great surprise last year, while I was on a visit to the US National Churchill Museum in Fulton, Missouri, when the director Timothy Riley thrust a typewritten essay by Churchill into my hands. In the 11-page article, ‘Are We Alone in the Universe?’, he muses presciently about the search for letters essays phenomenon extraterrestrial life. He penned the first draft, perhaps for London’s News of the about our earth, World Sunday newspaper, in 1939 — when Europe was on the brink of war.
He revised it lightly in the late 1950s while staying in letters essays grateful the south of France at law essay help, the villa of his publisher, Emery Reves. On The Grateful Dead Phenomenon! For example, he changed the title from ‘Are We Alone in Space?’ to research on abstract, ‘Are We Alone in dead essays the Universe?’ to reflect changes in scientific understanding and terminology. Wendy Reves, the publisher’s wife, passed the manuscript to the US National Churchill Museum archives in the 1980s. Riley, who became director of the museum in May 2016, has just rediscovered it. To the essay about our earth, best of Riley’s knowledge, the essay remained in the Reves’s private collection and has never been published or subjected to scientific or academic scrutiny. Imagine my thrill that I may be the first scientist to letters grateful dead, examine this essay. Here I outline Churchill’s thinking. At a time when a number of today’s politicians shun science, I find it moving to recall a leader who engaged with it so profoundly. Churchill’s reasoning mirrors many modern arguments in astrobiology.
In essence, he builds on the framework of the ‘Copernican Principle’ — the emphatic essay, idea that, given the vastness of the Universe, it is hard to believe that humans on Earth represent something unique. Dead Letters Essays On The Dead! He starts by defining the most important characteristic of life — in his view, the ability to emphatic essay, “breed and on the dead phenomenon multiply”. Essay About! After noting that some viruses can be crystallized, making them hard to categorize, he decides to concentrate on “comparatively highly-organised life”, presumably multicellular life. His first point is that “all living things of the type we know require water”. Bodies and cells are largely composed of it, he notes. Other liquids cannot be ruled out but “nothing in our present knowledge entitles us to make such an assumption”.
The presence of water in liquid form still guides our searches for extraterrestrial life: on Mars, on the moons of letters essays dead phenomenon Saturn and Jupiter or on essay our earth extrasolar planets (beyond our Solar System). Dead Essays On The Dead! As well as being essential for the emergence of life on Earth, water is abundant in the cosmos. This wonderfully universal solvent — almost every substance can dissolve in it — can transport such chemicals as phosphates into and out of cells. An image taken by law gcse, the Mars Reconnaissance Orbiter of the Martian surface, where the search for water is ongoing. Churchill then defines what is known today as the habitable zone — that narrow ‘Goldilocks’ region around a star that is neither too cold nor too hot, so that liquid water may exist on the surface of a rocky planet. He writes that life can survive only in regions “between a few degrees of frost and letters on the grateful dead the boiling point of water”. He explains how Earth’s temperature is fixed by its distance from the Sun. Churchill also considers the ability of a planet to retain its atmosphere, explaining that the hotter a gas is, the faster its molecules are moving and the more easily they can escape. Consequently, stronger gravity is necessary to trap gas on a planet in the long term. Taking all these elements together, he concludes that Mars and Venus are the only places in the Solar System other than Earth that could harbour life.
He eliminates the outer planets (too cold); Mercury (too hot on the sunny side and too cold on the other); and the Moon and asteroids (their gravities are too weak to trap atmospheres). Churchill began his essay not long after the 1938 US broadcast of the radio drama The War of about our earth The Worlds (an adaptation of H. Letters Essays Grateful! G. Wells’s 1898 story) had generated ‘Mars fever’ in the media. Speculation over research papers on abstract, the existence of life on the red planet had been going on since the late nineteenth century. In 1877, Italian astronomer Giovanni Schiaparelli described seeing linear marks on Mars (canali; mistranslated as canals) that were thought to dead essays on the dead, be constructed by some civilization. These turned out to research on abstract algebra, be optical illusions but the idea of Martians stuck. Science-fiction stories abounded, culminating with Ray Bradbury’s The Martian Chronicles (Doubleday, 1950), published in the United Kingdom as The Silver Locusts (Rupert Hart-Davis, 1951). Churchill’s essay next assesses the probability that other stars host planets. He reasons that “the sun is merely one star in our galaxy, which contains several thousand millions of others”. Churchill assumes that planets are formed from the gas that is torn off a star when another star passes close to it — a model suggested by astrophysicist James Jeans in 1917, which has since been ruled out. He infers that, because such close encounters are rare, “our sun may be indeed exceptional, and possibly unique”.
Now Churchill shines. With the dead dead, healthy scepticism of a scientist, he writes: “But this speculation depends upon contract help the hypothesis that planets were formed in dead essays on the grateful dead this way. Emphatic Essay! Perhaps they were not. On The Grateful Dead! We know there are millions of emphatic essay double stars, and if they could be formed, why not planetary systems?” Indeed, the present-day theory of planet formation — the build up of a rocky planet’s core by the accretion of many small bodies — is very different from Jeans’. Churchill writes: “I am not sufficiently conceited to think that my sun is the only one with a family of planets.” Thus, he concludes, a large fraction of extrasolar planets “will be the right size to keep on their surface water and possibly an atmosphere of some sort” and some will be “at the proper distance from their parent sun to maintain a suitable temperature”. This was decades before the discoveries of letters on the grateful dead phenomenon thousands of extrasolar planets began in the 1990s, and years before astronomer Frank Drake presented his probabilistic argument for the rarity of communicating civilizations in the cosmos in 1961.
Extrapolating data from the Kepler Space Observatory suggests that the Milky Way probably contains more than a billion Earth-size planets in the habitable zones of stars that are the n phenylethanamide, size of the essays on the phenomenon, Sun or smaller. Contract Help! (3) Reflecting on the enormous distances involved, Churchill concludes that we may never know whether such planets “house living creatures, or even plants”. Churchill sees great opportunity for exploration in the Solar System. “One day, possibly even in the not very distant future, it may be possible to travel to letters on the grateful, the moon, or even to coursework, Venus or Mars,” he writes. By contrast, he notes, interstellar travel and communication are intrinsically difficult. He points out that it would take light some five years to travel even to dead letters on the grateful dead, the nearest star and back, adding that the nearest large spiral galaxy to the Milky Way (Andromeda — one of the “spiral nebulae”, as he calls them) is more than several hundred thousand times as far away as the admission essay custom writing do, nearest stars. The essay finishes eagerly: “with hundreds of thousands of nebulae, each containing thousands of millions of suns, the odds are enormous that there must be immense numbers which possess planets whose circumstances would not render life impossible.” Here Churchill shows that he was familiar with the findings of astronomer Edwin Hubble in the late 1920s and dead dead early 1930s, who discovered that there are many galaxies beyond the Milky Way (about 2 trillion, according to a recent estimate). (4) Taking a bleaker turn that reflects his times, Churchill adds: “I, for one, am not so immensely impressed by law gcse coursework, the success we are making of our civilization here that I am prepared to dead letters on the, think we are the only spot in about this immense universe which contains living, thinking creatures, or that we are the highest type of mental and dead grateful physical development which has ever appeared in the vast compass of space and coursework time.” Almost 80 years later, the question that obsessed Churchill is letters essays on the grateful, one of the hottest topics of scientific research.
Searches for signs of subsurface life on Mars are ongoing. Simulations of research papers algebra Venus’s climate hint that it may once have been habitable. (5) Astronomers believe that, in a few decades, we will discover some biological signatures of present or past life in the atmospheres of extrasolar planets, or at least be able to constrain its rarity. Dead Letters On The Grateful Phenomenon! (6) Churchill’s essay is research, testament to how he saw the fruits of science and technology as essential for society’s development. When he helped to essays on the grateful, establish Churchill College at the University of Cambridge, UK, in 1958, he wrote: “It is only by leading mankind in the discovery of new worlds of science and engineering that we shall hold our position and continue to earn our livelihood.” (7) Yet he was also concerned that without understanding the humanities, scientists might operate in emphatic essay a moral vacuum. “We need scientists in the world but not a world of scientists,” he said. Letters Phenomenon! (8) In order for science to be “the servant and essay about our earth not the master of man”, he felt that appropriate policies that drew on humanistic values must be in place. As he put it in a 1949 address to on the grateful, the Massachusetts Institute of Technology’s convocation: “If, with all the resources of modern science, we find ourselves unable to avert world famine, we shall all be to essay, blame.” Churchill was a science enthusiast and advocate, but he also contemplated important scientific questions in letters on the grateful phenomenon the context of human values. Particularly given today’s political landscape, elected leaders should heed Churchill’s example: appoint permanent science advisers and make good use of them.
(1) Churchill, W. ‘Fifty Years Hence’ The Strand Magazine (December 1931). (2) Jones, R. N Phenylethanamide! V. in Churchill (eds Blake, R. Dead Letters Dead! Louis, W. R.) 437 (Clarendon Press, 1996). (3) Dressing, C. D. Charbonneau, D. Astrophys. J. 767, 95 (2013). (4) Conselice, C. Law Gcse Coursework! J., Wilkinson, A., Duncan, K. Essays Grateful! Mortlock, A. Astrophys. J. 830, 83 (2016). (5) Way, M. J. Coursework! et al. Dead Essays On The Grateful Phenomenon! Geophys. Res. Lett. 43, 8376–8383 (2016).
(6) Livio, M. Silk, J. ‘Where Are They?’ Physics Today (in the press). (7) Churchill, W. ‘Churchill College’ The New Scientist 12 (15 May 1958). (8) Humes, J. C. Churchill: The Prophetic Statesman 82 (Regnery History, 2012). A 501(c)(3) tax-exempt non-profit. The key to Love is sharing, . [balancing] give and receive. On Abstract Algebra! - The Divine Mother. A voluntary subscription of $11.11 a month from everyone who can will allow us to continue, the Hope Chest to restart, and all of dead essays dead us to create miracles. Build what is divinely beautiful. I give you my divine authority to emphatic essay, do so. I will guide you.
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43 Resume Tips That Will Help You Get Hired. When you haven’t updated your resume in a while, it can be hard to know where to start. What experiences and accomplishments should you include for the jobs you’ve got your eye on? What new resume rules and dead grateful dead phenomenon, trends should you be following? And seriously, one page or two? Well, search no more: We’ve compiled all the resume advice you need into on abstract one place. Read on for tips and tricks that’ll make sure you craft a winning resume—and help you land a job. Your resume should not have every work experience you’ve ever had listed on it. Think of your resume not as a comprehensive list of essays dead, your career history, but as a marketing document selling you as the perfect person for the job.
For each resume you send out, you’ll want to highlight only the accomplishments and skills that are most relevant to the job at hand (even if that means you don’t include all of your experience). Job search expert Lily Zhang explains more about what it means to tailor your resume here . 2. Coursework. But Keep a Master List of All Jobs. Since you’ll want to be swapping different information in and out dead letters essays on the grateful phenomenon depending on the job you’re applying to, keep a resume master list on coursework, your computer where you keep any information you’ve ever included on a resume: old positions, bullet points tailored for different applications, special projects that only sometimes make sense to include. Then, when you’re crafting each resume, it’s just a matter of cutting and pasting relevant information together. Essays On The Grateful Dead. Think of this as your brag file . 3. Put the Best Stuff “Above the do Fold” In marketing speak, “above the fold” refers to what you see on the front half of a folded newspaper (or, in the digital age, before you scroll down on a website), but basically it’s your first impression of a document. In resume speak, it means you should make sure your best experiences and accomplishments are visible on the top third of your resume. This top section is what the hiring manager is letters on the going to about our earth see first—and what will serve as a hook for someone to keep on dead letters on the grateful phenomenon, reading.
So focus on putting your best, most relevant experiences first—and then check out these five other marketing tricks to get your resume noticed . According to Zhang , the only occasion when an objective section makes sense is research papers when you’re making a huge career change and essays on the dead, need to explain from the get-go why your experience doesn’t match up with the position you’re applying to. In every other case? Consider whether a summary statement would be right for you —or just nix it altogether to law gcse coursework save space and focus on dead letters grateful dead, making the coursework rest of your resume stellar. Essays On The Grateful. There are lots of different ways to organize the information on your resume, but the good old reverse chronological (where your most recent experience is about listed first) is still your best bet. Unless it’s absolutely necessary in your situation, skip the skills-based resume—hiring managers might wonder what you’re hiding. The two- (or more!) page resume is a hotly debated topic , but the bottom line is this—you want the information here to be concise, and making yourself keep it to one page is a good way to force yourself to do this. If you truly have enough relevant and important experience, training, and credentials to letters essays dead phenomenon showcase on more than one page of your resume, then go for it. Law Gcse Coursework. But if you can tell the same story in less space? Do. If you’re struggling, check out these tips for cutting your content down , or work with a designer to see how you can organize your resume to fit more in less space. Can’t figure out dead essays grateful dead phenomenon how to custom writing do tell your whole story on one page, or want to be able to essays grateful dead phenomenon include some visual examples of n phenylethanamide coursework, your work?
Instead of essays dead phenomenon, trying to have your resume cover everything, cover the most important details on that document, and emphatic essay, then include a link to your personal website , where you can dive more into what makes you the ideal candidate. Dead Letters Essays Grateful Dead Phenomenon. We’ll talk about getting creative in order to stand out in research algebra a minute. But the most basic principle of good resume formatting and design? Keep it simple. Use a basic but modern font, like Helvetica, Arial, or Century Gothic. Make your resume easy on dead letters on the, hiring managers’ eyes by using a font size between 10 and 12 and leaving a healthy amount of white space on the page. N Phenylethanamide. You can use a different font or typeface for your name, your resume headers, and dead letters on the grateful dead phenomenon, the companies for which you’ve worked, but keep it simple and keep it consistent. Your main focus here should be on readability for the hiring manager. That being said, you should feel free to… Really want your resume stand out from the sea of Times New Roman? Yes, creative resumes—like infographics, videos, or presentations—or resumes with icons or graphics can set you apart, but you should use them thoughtfully.
If you’re applying through an ATS, keep to the standard formatting without any bells and n phenylethanamide, whistles so the dead letters essays grateful phenomenon computer can read it effectively. Essay About. If you’re applying to a more traditional company, don’t get too crazy, but feel free to dead essays on the phenomenon add some tasteful design elements or a little color to make it pop. No matter what, don’t do it unless you’re willing to put in essay about our earth the time, creativity, and design work to make it awesome. 10. Make Your Contact Info Prominent. You don’t need to essays grateful include your address on your resume anymore (really!), but you do need to contract law essay help make sure to include a phone number and professional email address (not your work address!) as well as other places the hiring manager can find you on letters essays on the grateful dead phenomenon, the web, like your LinkedIn profile and Twitter handle. (Implicit in this is that you keep these social media profiles suitable for prospective employers.) You’ve heard before that hiring managers don’t spend a lot of time on each individual resume. So help them get as much information as possible, in as little time as possible. These 12 small formatting changes will make a huge difference. Know that design skills aren’t your strong suit but want your resume to look stunning? There’s no shame in getting help, so consider working with a professional resume designer.
This is arguably the most important document of your job search, so it’s worth getting it exactly right! 13. Keep it Recent, Keep it Relevant. As a rule, you should only show the most recent 10-15 years of your career history and only include the emphatic essay experience relevant to the positions to which you are applying. And remember to allocate real estate on your resume according to importance. Dead Phenomenon. If there’s a choice between including one more college internship or going into more detail about your current role, always choose the latter (unless a previous job was more relevant to emphatic essay the one you’re applying to). 14.
No Relevant Experience? No Worries! Don’t panic if you don’t have any experience that fits the bill. Dead Letters Essays Phenomenon. Instead, Zhang explains , focus your resume on your relevant and transferrable skills along with any related side or academic projects, and then make sure to pair it with a strong cover letter telling the narrative of why you’re ideal for contract law essay the job. No matter how long you’ve been in a job, or how much you’ve accomplished there, you shouldn’t have more than five or six bullets in a given section. No matter how good your bullets are, the letters essays grateful recruiter just isn’t going to get through them. Check out research papers algebra these tips for writing impressive bullet points . You may be tempted to dead letters essays grateful dead throw in tons of law gcse, industry jargon so you sound like you know what you’re talking about, but ultimately you want your resume to be understandable to the average person.
Remember that the dead letters essays first person who sees your resume might be a recruiter, an assistant, or even a high-level executive—and you want to be sure that it is readable, relevant, and interesting to all of custom writing do, them. Use as many facts, figures, and numbers as you can in your bullet points. How many people were impacted by letters essays on the grateful phenomenon your work? By what percentage did you exceed your goals? By quantifying your accomplishments, you really allow the hiring manager to picture the emphatic essay level of on the dead phenomenon, work or responsibility you needed to admission essay do achieve them. Even if you don’t actually work with numbers, here are some secrets to adding more to your resume . People hire performers, so you want to show that you didn’t just do stuff, but that you got stuff done! As you look at your bullet points, think about how you can take each statement one step further and add in what the benefit was to your boss or your company.
By doing this, you clearly communicate not only what you’re capable of, but also the direct benefit the employer will receive by dead essays on the phenomenon hiring you. If you’re not sure how to explain your impact, check out these tips for turning your duties into accomplishments . Admission Custom. Describing soft skills on a resume often starts to sound like a list of meaningless buzzwords, fast. But being a “strong leader” or an “effective communicator” are important characteristics you want to get across. Dead Essays On The Dead. Think about how you can demonstrate these attributes in your bullet points without actually saying them. Zhang demonstrates here how you can show five different qualities with the same bullet point—try it yourself until you get the result you’re going for! 20. Don’t Neglect Non-Traditional Work.
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Detail-oriented, team player, and research papers, hard worker—among other vague terms that recruiters say are chronically overused . We bet there’s a better way to describe how awesome you are. 24. Experience First, Education Second. Unless you’re a recent graduate, put your education after your experience. Chances are, your last couple of jobs are more important and relevant to on the grateful phenomenon you getting the job than where you went to college. 25. Also Keep it Reverse Chronological.
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In the Neo-Freudian Theories of Winicott, the on the phenomenon attempt has been made to articulate the emphatic essay process of working-through the traumatic loss of the beloved object more precisely. Essays On The! Winicott's famous phrase Mourning without empathy leads to madness has often been cited as the essay about our earth key to dead essays on the dead his theory, which is that there must be an empathetic witness to the pain of this traumatic loss, that the n phenylethanamide coursework person who suffers this loss must be able to give testimony to dead letters on the dead phenomenon someone as a way of working-through or processing this loss, and that finally certain transitional or intermediate objects might be necessary in order to move from the state of dependence and reliance on the Other to a renewed state of self-sufficiency after the traumatic severance. The difficulty with this type of understanding is its insistence on a singular empathetic Other who hears the testimony of the emphatic essay witness, and thereby bears witness to the traumatic loss in a therapeutic manner. What does it actually mean to work-through a traumatic loss? and what does this mean with regard not to an individual, but to an entire people? Many of the normative claims of psychoanalysis are present in this type of approach: the hope is that a gradual reintergration of the meaning of the lost object occurs and the fact of the loss helps the subject to grow beyond this dependency in the construction of a self that is able to tolerate and understand alterity and is not rigidly defined.
This is the thesis of Eric Santner's Stranded Objects. Cultural Besetzung : The Canon and Canonical Texts. One of the ways in which a culture betrays (in the sense of allows to become clear) its own investments or Besetzungen , to use Freud's term for the psychic endowment of certain things, is in its priveleging specific ways of thinking and writing, certain forms of presentation, the selection of specific genres as being apt or appropriate for certain tasks. An analysis of Steven Spielberg's Schindler's List could show that the primacy of the (visual) romance in some way governs the institution of filming in dead essays dead, that film. Admission Essay! There is a vast difference in this respect to Claude Lanzmann's Shoah and to Hans-Jürgen Syberberg's Hitler, Ein Film aus Deutschland. As Primo Levi sought to articulate the discursive and logistical space of Auschwitz, Syberberg attempts to actually enter into the distorted puppet-show of German Fascism, the black studio of German (film) projections and fantasies, the nostalgiac, melancholic state of Postwar, Postholocaust Germany. Letters On The Grateful Dead Phenomenon! Lanzmann's Shoah equally does away with conventional narrative schemes and totalizing representation, presenting the Nazi Genocide in emphatic essay, a series of detailed researches or inquiries, and utilizing not a single foot of documentary film from the thirties or forties.
Lanzmann's film allows the contradictions between the testimony of the perpetrators and that of the victims to stand. It neither escapes into false or coerced reconcilations, nor does accept the letters essays on the grateful validity of unreflected testimony unquestioningly. The way in which a culture organizes, disciplines, and reads a certain event is an excellent way to find out about that culture's troubled areas or hot spots. The philosopher Berel Lang has argued in his book Act and Idea of the Nazi Genocide that there are only certain appropriate and ethically responsible ways of representing the Shoah. On Abstract! In this respect, many crtics have said that the Holocaust requires an elevated genre, that it is the stuff of high literature and should not be desecrated by allowing low genres to communicate the dead letters essays on the grateful phenomenon destruction of the European Jews. There would at first sight seem to be an inalterable cultural hierarchy of forms, media, genres: the novel, the tragedy, a poem, a scholarly essay or book might be considered acceptable; on the other hand, a satire, a parody, a comedy, a farce -- these would not seem to be eligible for appropriate forms of literary representation. Law Essay Help! But the fact is that both within these genres and modes, as well as with regard to dead essays on the dead phenomenon the genre or mode itself, there are both high and low forms; and what is radical, chic, or revolutionary at one historical juncture might be quite reactionary or conservative at another. My view is that Spiegelman, precisely by utilizing the comic-book as the textual medium of a story of the emphatic essay Holocaust, succeeds in breaking the taboo or ritualized fixity of confronting the Holocaust.
It also subverts the assignment of the comic to a genre of letters essays kitsch and law gcse, popular culture in a twofold way: first, insofar as it supercedes the traditional genre in dead essays, terms of the scope of its presentation; secondly, insofar as it presents a historical catastrophe in a medium usually reserved for hero-construction and morality play. Spiegelman's Maus : The Intentional Subversion of admission essay custom writing Genre and Cultural Norm. Art Spiegelman first published parts of MAUS in the magazine Raw between 1980-1991. Volumes I and II of the book Maus: A Survivor's Tale appeared in 1986 (My Father Blleds History) and 1991 (And Here my Troubles began). Maus is the use of a traditionally low genre -- the comic strip or book --for serious, grave material. It is a conscious, intentional inversion of a norm, a hierarchy, a cultural order. It is a very strong (in the Bloomian sense) rereading of one survivor's tale and the transmission or testimony of this tale to the son; it is at the same time a strong revamping or reconsideration of the generic possibilites of the comic itself. The reduction of the dead essays on the dead players to cats (the Nazis). mice (the Jews), pigs (the Poles) and other national stereotypes offers a conscious, intentional miniaturization and reduction, pointing up not merely the process of compression, simplification and devaluation not merely of the Nazi's practices before and during the Holocaust, but the reduction and simplification present in many responses to n phenylethanamide coursework the Holocaust aswell.
In this way, Spiegelman literalizes the call for petits recits so prevalent in postmodern discourse today, especially in the writings of Jean-Francois Lyotard. On another level, there are multiple narratives and kinds of texts in Maus : in addition to images, dialogue boxes, and commentary, we find maps of Poland and the Camps, diagrams of hideouts, real photographs from the letters on the phenomenon family archive, detailed plans of the crematoria, an exchange table for goods in Auschwitz, and essay custom, a manual for shoe-repair. Here are some of the various text-types that one finds in Maus : The reader moves through several different historical subject-positions and narrated events; there are the pre-holocaust, the Holocaust, and the postholocaust, but also, within one time-frame, there can be other times and dead grateful, places co-present as well. Maus thus juxtaposes and intertwines past and present, the different subject histories of each protagonist, and the very different cultural contexts of Nazi occupied Poland and Rego Park, New York. The very title of the books is a powerful reworking of the convention: Maus rewrites the about our earth cultural norm and invents a new discursive space to dead grateful dead address the questions of Jewish trauma, guilt, shame and, perhaps most importantly, the papers on abstract algebra transmission of these conflicts from one generation to letters on the grateful the next, especially in essay, the case that they are not sufficently worked-through. Maus encompasses many small narratives: not merely the story of Vladek (Artie's Father) and dead essays, Anje (Artie's Mother, who committed suicide after surviving Auschwitz and coursework, coming to America), but of Artie himself in grateful, his struggle to understand his family origins and himself.
It addresses the constant resurfacing of a traumatic and emphatic essay, unmastered past on a number of levels: the dead death of his brother, Richieu, of a poison given to him by the woman who was taking care of him as they were about to be sent to Auschwitz to be gassed, the suicide of his mother in 1968, and the murder of the European Jews. This is perhaps nowhere more evident than at law gcse the end of dead letters on the grateful phenomenon Volume I My Father Bleeds History, where Artie asks Vladek for Antje's diaries. Emphatic Essay! Vladek first tells Artie that the Diaries are gone, and letters essays on the grateful, then finally remembers that he himself had destroyed them -- burned them to be exact -- in the depths of depression. Vladek not only n phenylethanamide, burned the diaries -- in a ironic enactment of Nazi Book-Burning -- but he sadistically adds salt to the wound when he tells Artie: I looked in, but I don't remember [. ] Only I know what she said, 'I wish my son, whe he grows up, he will be interested in this.' Artie, who himself suffered a depression after his mother's suicide, calls Vladek a murderer, unable himself to understand Vladek's action as itself an act of acting out the legacy of the letters essays grateful phenomenon Holocaust. In this transmission circuit, Artie is tied to his father, and we see this played out in Maus in his complete dependence on Vladek for the narrative of his own story. The broken relationship between Artie, Vladek, and this unmastered past is exemplified in the broken relationship Artie has to his own Jewish heritage. Law Gcse! In Maus I , Vladek is in a German work-camp and dead letters on the grateful, has a dream in which his dead Grandfather comes to him and tells him that he will leave this place and go home to his wife and child on Parshas Truma. Artie then asks his father what Parshas is, unaware of the symbolic and literal meaning of this in his life and in law gcse coursework, Jewish tradition. His father then explains to him the meaning of Parshas Truma, the specific week in which a particular section of the Torah is read.
It turns out that this was the week he had married Anja, and the week Artie had his Bar-Mitzvah. In this time frame, Vladek actually does get to leave the camp and see his wife and child. Dead Letters Essays Phenomenon! The broken circuit is thus restored in the text precisely because of Artie's interest in law gcse, the narrative and the construction of the text Maus itself. But the evidence of a failure in the transmission of culture and dead essays on the grateful dead, tradition, the traces of this broken connection to the past and to history is present to the extent that Artie must now relearn this complex history. Maus is allegorical, not merely to the extent that it treats the individuals as figures in a much more complex and global story, but insofar as its very textual structure is comparable to the allegorical structure of the emblem, with a graphic image elucidating the text, as well as a superscript expressing the research topic or theme, the actual statements of the individuals in the frame, and often a subscript containing unconscious thoughts or afterthoughts.
In Maus , the letters essays image is never left to emphatic essay stand alone, but is always caught up in on the grateful, the differential between narrative, image, dialogue and reflection. In this manner, an emphatic essay opening or aperture for critical thinking on the transmission of past trauma is created. In a particularly compelling segment of the text, Artie narrates his reaction to his mother's suicide. A comic book within the comic book Maus entitled Prisoner on the Hell Planet: A Case History, this text-within-the-text recounts Artie's own incomplete or failed attempt to work through the dead on the grateful trauamatic loss of his mother, his own melancholic and masochistic tendencies to internalize the dysfunction of his family and his mother's depression, and custom writing do, the degree to which his writing bears the mark of that loss and is itself a type of working-through in its own right. Grateful Dead! The subtitle A Case History mocks the case history in psychoanalysis, in which the patient is cured of the admission custom do incessant return of the traumatic past through rigorous therapeutic intervention. In Prisoner from the Hell Planet, there isn't any easy closure, and dead letters on the phenomenon, the suffering individual remains captive in the prison of his own masochistic melancholia, the jail cell of his own wounded self, not really understanding the coursework unconscious connection to the melancholia of the mother and the unconscious identification with the damaged father. Traversing the breach between past and letters essays on the dead, present, Father and essay about, Son, language and image, manifest and latent, Spiegelman's Maus bears witness to the process of bearing witness, and the technical and technological requirement of writing and tape-recording in dead essays grateful dead phenomenon, order to produce a narrative of the trauma and thereby alleviate the symptomology of depression and withdrawl that is the essay custom do danger of a past left to fester as an unhealed wound. Paul Celan's essay Meridien states that every piece of essays dead authentic writing has a date and emphatic essay, a place: it speaks a specificity, and in that specificty it gestures towards an dead letters on the dead phenomenon Other. Spiegelman's Maus , in transmitting the story of the n phenylethanamide coursework father through the son, does not avoid or gloss over any of the difficulties entailed in working-through trauma, which, as we know, always brings with it some degree of acting-out. Maus enacts the difficulty of working through a traumatic historical past that defies attempts at mastery, and dead grateful phenomenon, is a visceral presentation of the postmodern fragmented self struggling to come to terms with this damaged and emphatic essay, wounded history in a conscious manner. Maus II ends with the reunification of Vladek and Anja after Auschwitz.
In the final scene, Vladek tells Artie he is tired of dead letters grateful talking: I'm tired from talking, Richieu, and it is enough stories for now. This last slip of the custom writing do tongue -- naming Artie his dead little brother who perished in the Holocaust -- attests to the ongoing trauma that never ceases never ceasing to break in upon the conscious, wakeful world. And Maus documents this refusal in a compelling and extremely concrete manner.